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kālīm
caiva purā kanyāṁ jala-prabhava-saṁbhavām |
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jagāma
yamunā-tīre jāta-rāgaḥ parāśaraḥ || 4.76
4.76
In
olden times, again, the maiden Kālī
Whose
birth had its origin in water,
Was
pressed for sex on a bank of the Yamunā
By
lusting Parāśara, 'The Crusher.'
COMMENT:
Today's
verse is more amenable to a pāda-by-pāda translation that preserves
the original order of elements, albeit by switching from the active
to the passive voice.
A
translation in the active voice, for conformity with previous verses,
might run:
The
lusting 'Crusher,' Parāśara, what is more,
In
olden times on a bank of the Yamunā,
Ravished
the maiden Kālī –
She
whose birth had its origin in water.
The Mahabharata, Harivamsa and Devi Bhagavata Purana assert that Satyavati was the daughter of a cursed apsara (celestial nymph) named Adrika. Adrika was transformed by a curse into a fish, and lived in the Yamuna river. When Uparicara-vasu was on a hunting expedition he had a nocturnal emission while dreaming of his wife. He sent his semen to his queen with an eagle but, due to a fight with another eagle, the semen dropped into the river and was swallowed by the cursed Adrika-fish. Consequently, the fish became pregnant. The chief fisherman caught the fish, and cut it open. He found two babies in the womb of the fish: one male and one female. The fisherman presented the children to the king, who kept the male child. The boy grew up to become the founder of the Matsya Kingdom. The king gave the female child to the fisherman, naming her Matsya-gandha ("She who has the smell of fish") due to the fishy odor which came from the girl's body. The fisherman raised the girl as his daughter and named her Kali ("the dark one") because of her complexion. Over the course of time, Kali earned the name Satyavati ("truthful"). The fisherman was also a ferryman, ferrying people across the river in his boat. Satyavati helped her father in his job, and grew up into a beautiful maiden.
The Devi Bhagavata Purana narrates that when Kali (Satyavati) was ferrying the rishi Parashara across the river Yamuna, the sage wanted Kali to satisfy his lust and held her right hand. She tried to dissuade Parashara, saying that a learned Brahmin of his stature should not desire a woman who stinks of fish. She finally gave in, realizing the desperation and persistence of the sage and fearing that if she did not heed to his request, he might topple the boat midstream. Kali agreed, and told Parashara to be patient until the boat reached the bank. On reaching the other side the sage grabbed her again, but she declared that her body stank and coitus should be delightful to them both. At these words, Matsyagandha was transformed (by the powers of the sage) into Yojanagandha ("she whose fragrance can be smelled from across a yojana"). She now smelled of musk, and so was called Kasturi-gandhi ("musk-fragrant"). When Parashara, tormented with desire, approached her again she insisted that the act was not appropriate in broad daylight, as her father and others would see them from the other bank; they should wait till night. The sage, with his powers, shrouded the entire area in fog. Before Parashara could enjoy himself Satyavati again interrupted him to say that he would enjoy himself and depart, robbing her of her virginity and leaving her shamed in society. The sage then blessed her with virgo intacta. She asked Parashara to promise her that the coitus would be a secret and her virginity intact; the son born from their union would be as famous as the great sage; and her fragrance and youth would be eternal. Parashara granted her these wishes and was satiated by the beautiful Satyavati. After the act the sage bathed in the river and left, never to meet her again. The Mahabharata abridges the story, noting only two wishes for Satyavati: her virgo intacta and everlasting sweet fragrance.
Ecstatic with her blessings, Satyavati gave birth to her baby the same day on an island in the Yamuna. The son immediately grew up as a youth and promised his mother that he would come to her aid every time she called on him; he then left to do penance in the forest. The son was called Krishna ("the dark one") due to his colour, or Dvaipayana ("one born on an island") and would later became known as Vyasa – compiler of the Vedas and author of the Puranas and the Mahabharata, fulfilling Parashara's prophecy. After this, Satyavati returned home to help her father.
In
the original Sanskrit of today's verse, the final word is the subject Parāśara, which
means 'Crusher.' Coming at the end of the verse, this adds extra force to the sense of coercion which the
above rendering of the story brings out.
When Nanda quotes the
same story in Saundara-nanda Canto 7, the verb he uses has a less
active or aggressive sense that jagāma: the verb Nanda uses is
siṣeve, from the root sev, among whose meanings the dictionary gives as to
serve, wait or attend upon, honour, obey, worship; as well as to
enjoy sexually, have sexual intercourse with.
So too did the seer Parāśara, user of curses as arrows, have intercourse (siṣeve) with Kālī, who was born from the womb of a fish / The son he conceived in her was the illustrious Dvaipāyana, classifier of the Vedas. // SN7.29 //
The sense that I get
from today's verse, then, is that in regard to the
response of the old wizard Parāśara to the strong sexual desire he
felt for the young maiden Kālī, Udāyin sounds somewhat
affirmative, or at least accepting – in the spirit of "thus it
ever was."
One can't help feeling
that the prince ought to respond antagonistically to the stimulus of Udāyin's view.
But when the prince does respond to Udāyin, he does not in fact seem
to be interested in trying to tell Udāyin the score or in trying to
reform Udāyin's stupid opinions.
In Alexander terms, one
might say that the prince “stayed back in his own back.”
(1) Mahā-kāśyapa and
(2) Ānanda, who did what they could to be of help to
(3) Śaṇavāsa, and so on through
(4) Upagupta,
(5) Dhītika,
(6) Micchaka,
(7) Vasumitra,
(8) Buddhanandhi,
(9) Baddhamitra,
(10) Pārśva, and
(11) Puṇyayaśas, who did what he could to be of help to
(12) Aśvaghoṣa, who did what he could to be of help to us.
VOCABULARY
kālīm (acc. sg.): f.
“black,” N. of satyavatī , wife of king śāntanu and mother of
vyāsa or kṛṣṇa-dvaipāyana (after her marriage she had a son
vicitra-vīrya , whose widows were married by kṛṣṇa-dvaipāyana
, and bore to him dhṛta-rāṣṭra and pāṇḍu)
ca: and
eva: (emphatic)
purā: ind. before ,
formerly , of old
kanyām (acc. sg.): f.
a girl , virgin , daughter
jala-prabhava-saṁbhavām
(acc. sg. f.): born from one produced from water ; [EBC: the daughter
of the son of the Water (Agni)]
jala: n. water
prabhava: m. production
, source , origin , cause of existence (as father or mother , also "
the Creator ") , birthplace (often ifc. springing or rising or
derived from , belonging to)
sambhava: m. birth ,
production , origin , source , the being produced from (ifc. = "
arisen or produced from , made of , grown in ")
jagāma = 3rd
pers. sg. perf. gam: to go ; to go to or towards , approach; to go
against with hostile intentions , attack ; to approach carnally ,
have sexual intercourse with (acc.)
yamunā-tīre (loc.
sg.)
yamunā: f. N. of a
river commonly called the Jumna (in Hariv. and Ma1rkP. identified
with yamī q.v. ; it rises in the himā*laya mountains among the
Jumnotri peaks at an elevation of 10 ,849 feet , and flows for 860
miles before it joins the Ganges at Allahabad , its water being there
clear as crystal , while that of the Ganges is yellowish ; the
confluence of the two with the river sarasvatī , supposed to join
them underground , is called tri-veṇī q.v.)
tīra: n. a shore, bank
jāta-rāgaḥ (nom.
sg. m.): mfn. enamoured, lusting
parāśaraḥ (nom.
sg.): m. 'crusher , destroyer,' N. of a son of vasiṣṭha or of a
son of śakti and grandson of vasiṣṭha (according to MBh. the
father of vyāsa ; said to be the author of RV. i , 65-73 and part
of ix , 97)
婆羅舍仙人
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