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Upajāti (Indravajrā)
niḥsṛtya kubjāś-ca
mahā-kulebhyo vyūhāś-ca kairātaka-vāmanānām |
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nāryaḥ kṛśebhyaś-ca niveśanebhyo devānuyāna-dhvajavat
praṇemuḥ || 3.12
3.12
Crooked men from noble houses,
And regiments of mountain-men and
dwarves,
And women from homes of no consequence,
Like hanging flags in the procession of
a god,
all came out and bowed.
COMMENT:
When Aśvaghoṣa lists three or four
elements he never does so willy-nilly but always in a certain order,
though it may take a bit of digging to see the order he had in mind.
One way of reading today's verse
is to read it as an expression of social snobbery. In that case, the
three elements which are the subjects of today's verse are listed in
descending order of social rank, so that (1) aristocrats –
regardless of the karma that is reflected in the alignment or
misalignment of themselves – are naturally at the top of the food
chain. Next come (2) dwarves naturally looked down upon for being
small in stature, and those mountain-men, the Kirātas (also
mentioned in SN10.12 -- Communities of golden
mountain-men, the Kirātas, their limbs streaked with shining peacock
gall, / Rushed out from their caves like flying tigers, as if spewed
out of the unmoving mountain. // 10.12 //) who were looked
down upon by civilized society because of their irreligious ways. These mountain-men, though brahmins regarded the Kirātas
as heretics, at least had the virtues of being (a) male and (b)
organized in military-style regiments. Therefore behind them come women, and specifically
women from “meaner houses” (EBC/EHJ) or “low-class homes”
(PO).
I think Aśvaghoṣa's intention is to
invite this misunderstanding, like a hunter preparing a great big
elephant trap for eminent brahmins and Buddhist scholars of future
generations to fall into.
A better way to read today's verse
might be as an expression of Aśvaghoṣa's intention to subvert
social snobbery, through the use of irony, his favourite tool. In
that case, the three elements are listed in ascending order of
individual merit. Thus, (1) a crooked person – regardless of class
– has the lowest merit. Much higher than misaligned nobility are
(2) mountain men and dwarves. But insofar as they lack individual
human responsibility but are regimented like ants, these men still come
below (3) normal women, each of whom is an individual human being,
the fundamental unit of that practice for which social background is
of no consequence.
The 4th pāda, the
punchline, can be read as directly expressing that element
which far transcends social hierarchies and social snobbery –
namely, depending on your viewpoint, the divine, or the action of
bowing.
Aśvaghoṣa's intention, in the final
analysis, though I have discussed social snobbery and his intention to subvert it, might be to point to the universal merit of bowing down to the
ground.
In other words, there is no intrinsic
merit in being an individual odd-ball from a humble home (Jimmy
Saville springs to mind). But there might be merit in realizing
oneself as the individual one really is, through actions like bowing down to the
ground.
Tonight I am going to give a talk to a
small group of people working locally in the fields of medicine and
education. In the middle way between these two fields is work,
including Alexander work, that is sometimes called “developmental
reeducation.”
I intend to describe the vestibular
system as (in the words of Peter Blythe of INPP Chester, where I
trained in 1998/99) “the foundation stone of living.”
I think I might begin by asking: what is
sound? How do we sense it?
People will doubtless say that we sense sound with the ear,
which is only partially true. Because when we truly listen we listen
with our whole selves.
Again, how do we make sound?
People will
probably say by blowing air through the instrument of our larynx,
which again is only partially true. Because when we hum, or chant, or
speak or sing well, we use our whole selves well, and accept our
whole selves well, including not only the voice which resonates in all the cavities of our body, but also using our mind, and our ear.
Sensing sound is a good place to start
because, when we stop and think about it, it is obvious that we both
sense and make sound with our whole selves, and this process of listening to sound and using the voice is
relatively readily available to conscious intervention.
Sensing light, similarly, can be seen
as a function not only of the eye but also of the whole brain and
nervous system, and the skin, and the whole self. But how about the
production of light? Is it true for light as with sound, that the
better we are at sensing it, the better we are at producing it?
Similar questions can be asked for
smelling and tasting.
My intention in asking these questions
will be to prepare the ground for looking afresh at how we sense
movement and balance, and how we either move or keep still,
consciously or unconsciously.
An action like sitting upright on a
round cushion, or going onto hands and knees and bowing one's head to
the ground, can be a kind of laboratory for investigation of such
questions.
If the vestibular system provides the
foundation stone of living, then the most basic of building blocks,
or the the four corner stones of living, are four vestibular reflexes upon which my talk will
centre.
These vestibular reflexes, I have very
gradually come to realize, as a result of forty years of searching
for the cause of suffering in myself, are akin to the roots and main
branches of “the mass of twining tendrils that sets [suffering] in
motion” (samudaya-latā pravartikā).
"This is suffering; this is the
tangled mass of causes producing it (samudaya-latā pravartikā); /
This is inhibition; and here is a means." Thus, one by one, this
supreme set of four, // SN3.12 // The seer set out.
After I have talked about the reflexes,
people will probably ask, what should I do about it to help myself?
And what should I do about it to help children who are suffering in
the classroom and in the playground from immature vestibular
reflexes?
I shall answer, as honestly as I can,
that there are no quick fixes. The solution lies in the kind of constant direction of energy which yesterday I preached but, to be honest, subsequently fell short in practising.
The first kind of effort to make, before rushing in and trying to grasp a solution, might
be effort to understand the problem.
At the same time, I can honestly
say, on the basis of my own experience, that for adults
sitting-meditation can be an inhibitory means, providing it is
practised to the means-whereby principle (that is the principle of G.
Buddha and F.M. Alexander). And for adults and children alike, going
on hands and knees and bowing the head to the ground, along with
other developmental movements, can also be an inhibitory means.
"Time," however, as FM Alexander wrote, "is the essence of the contract."
At the first hint of an end-gaining idea, facilitated by the vestibular reflexes and guided by a faulty vestibular/proprioceptive sense, energy flows very rapidly along habitual pathways and the result is suffering. To inhibit this suffering is to stop the energy flowing down habitual unconscious pathways. This inhibition is only truly achieved by directing energy, consciously, to flow up non-habitual pathways -- in the context of simple actions, like sitting upright, or like bowing, or like lying down with one's knees bent and moving a leg.
For the next half an hour or so, at least, I am going to practise what I preach. If the telephone rings, I won't be answering it.
VOCABULARY
niḥsṛtya = abs. niḥ- √ sṛ: to
go out , come forth , depart , withdraw
kubjāḥ (nom. pl. m.): mfn.
hump-backed , crooked
ca: and
mahā-kulebhyaḥ (abl. pl.): n. a
great or noble family
mahat: mfn. great
kula: n. family; the residence of a
family ; a house , abode ; a noble or eminent family or race
vyūhāḥ (nom. pl.): m. placing apart
, distribution , arrangement ; orderly arrangement of the parts of a
whole ; military array , an army , host , squadron ; an aggregate ,
flock , multitude
ca: and
kairātaka-vāmanānām (gen. pl. m.):
of mountain-men and dwarves
kairātaka: mfn. belonging to the
kirātas;
kirāta: m. pl. N. of a degraded
mountain-tribe (inhabiting woods and mountains and living by hunting
, having become śūdras by their neglect of all prescribed religious
rites ;)
vāmana: mfn. dwarfish , small or short
in stature , a dwarf
nāryaḥ (nom. pl.): f. a woman, a
wife; a female or any object regarded as feminine
kṛśebhyaḥ (abl. pl. n.): mfn. lean
, emaciated , thin , spare , weak , feeble ; small , little , minute
, insignificant
ca: and
niveśanebhyaḥ (abl. pl.): n.
entering; hiding or dwelling-place of any kind , nest , lair , camp ,
house , home
devānuyāna-dhvajavat: ind. like the
streamers of the followers of a god
devānuyāna = devānucara: m. a
follower or attendant of a god
anuyāna: n. going after , following
dhvaja: m. a banner , flag , standard
-vat: (an affix added to words to imply
likeness or resemblance)
praṇemuḥ = 3rd pers. pl.
perfect pra-√nam: to bend or bow down before, to make obeisance to
貴賤及貧富 長幼及中年
悉皆恭敬禮 唯願令吉祥
